Benedetto, the Pope who loves cats and Mozart, will pray today in Richard Meier's Jubilee Church -- blogged here and here. (National Buiilding Museum photo from "Liquid Stone: New Architecture in Concrete") 'Wish we could be there. Cable won't carry it. C-Span won't, either. Is there a website out there with a video?
"To be Western means surrounding ourselves with what we find uplifting, and using the material for spiritual ends," writes David Warren [via Blue Goldfish] in a contemplation on the power of great art to bring out the best in us, paired with a critique of Islam's apparent soul-killing hatred and fear of great art as an evil temptress to our baser nature. We are reminded of the Taliban's grounding of kites (not to mention the unconscionable blowing up of the giant Buddha statues of Bamiyan) and also of all fear societies' -- both heavy and lite -- urge to brutalize the human spirit by crushing dissent:
The Pope will pray tomorrow [that's today, Sunday, as we write] in a beautiful but bare new church [ blogged here and here] at Tor Tre Treste, a northern suburb of Rome, designed for the millennium by the great American Jewish architect, Richard Meier. In its form, the church itself is symbolic, having the shape of a boat with three white concrete sails. It is considered a masterpiece of postmodern architecture. [We would have said modern -- or neo-modern -- as opposed to postmodern. There is no moral equivalency there but only transcendence.] But there is nothing on the walls, nor above the altar, except a single 17th-century crucifix, placed to catch light at sunset. A couple of articles posted on the interesting Catholic website “Chiesa” focus on this bareness, as I will today, on this Feast of the Annunciation.
Detail of interior of the Sunday School addition of Tadao Ando's Church of the Light, Osaka (Galinsky Photo)
Without reading any further, we would already take polite issue with the author, being a Miesian "less is more" type (see Tadao Ando image above). But we see the point, and he makes a compelling case about the larger issue of Christianity's role through the centuries as patron of the arts:
My reader, knowing that I am Catholic myself, may entertain scepticism when I say that the Catholic Church created “the West”, and not vice versa. He should not doubt this assertion, however, for it is fact. It becomes evident when one looks into history, including the histories of the Protestant denominations which are themselves rooted in a specifically Catholic past -- i.e. were not products of Byzantium, nor Islam. Nor did they originate in Hinduism or Buddhism. More generally, Christendom has been alive to the arts, to poetry, music, architecture, through 20 centuries. Our churches have been, through the centuries, by far the greatest patrons of all the arts. We expressly deny that they are evil in themselves. Art, music, poetry, architecture, plate and robe, are extensions of the liturgy; and outside the Church, each art may broadly serve human needs, by giving witness to the good, the true, and the beautiful. And even caricature and satire have been accepted, for their moral content -- when they point to a truth . . .
Whereas, in Islam for contrast, figurative art and melodic music have ever been banned in themselves -- from the mosque, and often outside it.They are considered evils in themselves.
A church with blank walls is not, to this Western way of thinking, a place without distractions. As so many wise Western minds have observed, the blank wall easily becomes a screen upon which to project the phantasms of the human heart; a mirror in which we look not for God, but for our own faces.
That brought to mind the contrast between neo's and our own photographs of the harbingers of spring in our gardens, the first crocuses:
Our crocus image (left) was close up and personal, while neo set her botanical jewel in the crown of her early-spring garden with last summer's dry leaves and twigs interspersed with tiny green shoots of the new generation. As we said to her, "I love your crocus image . . . very much in context, whereas mine is probably the exact opposite, totally removed from context to allow the viewer's imagination to read into it at will. It takes two -- 'reminds me of the Harvey Mansfield 'Manliness' debate" [Yup. That sounds like something you would say. --ed]. Out of context, our image might be David Warren's blank wall which "easily becomes a screen upon which to project the phantasms of the human heart; a mirror in which we look not for God, but for our own faces." Always a temptation.
David Warren concludes:
To put it another way, we have used art as a means to break down our own narcissism; and over time, repeatedly, we have found the enemies of art to be fanatics.
Yet recently, from our society at large, we have been stripping the symbolism, the public imagery that recreates what we are and believe -- mostly to achieve the lowest common denominator of “multiculturalism.” And now, even our churches are becoming bare and "unwestern."
This is another aspect of the suicide of the West.
Dhimmitude is alive and well and spreading insideously through the heartland. First they came for Santa Claus. Now it's the Easter Bunny. From yesterday's Minneapolis-St.Paul Star-Tribune [via Laura Lee Donoho of The Wide Awake Cafe]:
A small Easter display was removed from the City Hall lobby on Wednesday out of concern that it would offend non-Christians.
The story went on to explain that a secretary decorates her area, which is apparently near or in the office lobby, for each holiday. This time it was “a cloth Easter bunny, pastel-colored eggs and a sign which said ‘Happy Easter.’” This, apparently, enraged the city’s human rights director because it negated, damaged or threatened somebody’s human rights. This tower of Midwestern cultural nobility, Tyrone Terrill, said that nobody had complained to him about it, and no city money was used to finance the display, so his actions clearly are signs that we are looking at the man’s character, here.
As our imail correspondent comments,
It's astonishing that we have to stop and take notice of Ramadan, but we must ignore Easter.
Not as long as there's a blogosphere. We stand more firmly than ever behind our very first post, over two years ago, "The tidings that dare not speak their name."
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